An exhibition of conceptual and site-specific works.


This exhibition functions along a chance-planning-ambiguity axis, and takes communications and performative theory as it's foundation. Illinx is defined as that which is ambiguous to the point of being vertiginous.


By using certain materials, I deploy a series of idiosyncratic ways of synthesising visual presentation and representation - in fact this is more or less a monological utterance - a multiplicity of readings is stymied, this visuality frankly blocks wild interpretation.

Artchowk, as a gallery, has a unique location: I value it because it allows for a physical position that could be said to be a privileged, direct, access to an intricate network of external and personal ideolegemes. The situation enables me to construct purely aesthetical formal and conceptual boundaries